Book Journey where we share what we read this past week, what we hope to read this week...and anything in between! This is a great way to plan out your reading week and see what others are currently reading as well...you never know where that next "must read" book will come from!
What happened in the past week:
It's Monday! What Are You Reading #35
Teaser Tuesday #44
WWW Wednesday #44
Will the Time Come #36
Third Sentence Thursday #27
Random Reads #11
First Lines Friday #32
Follow that Blurb Reading Challenge Update 33
A-Z Book Challenge Update 6
The Reward Challenge Round 27
Follow Friday #14
2012 Dystopian Reading Challenge Update 6
In My Mailbox #35
I Have An Update #34
Week 6 Reviews:
Born of Shadows
Ten Things We Did
The Death Cure
The Statistical Probablity of Love at First Sight
Call Me Irresistible
Act of Grace: Guest Post
Act of Grace: Review
Nightmare at Emerald High: Guest Post
The Lens and the Looker: Review
The Darkening Dream Free!!!: Guest Post
Mad Right Now-Watching TV Shows and Social Class
OK, so I got 34 posts in 7 days, and I crafted posts for most of my daily memes to around halfway in March. So that is going to be good for when I go to Phoenix and might not have internet connection! Anyways. The post for title for Shatter Me #2 was a lot of fun!!!
So this week I want to read Heist Society, Cinder, The Lens and the Looker, Jake Ransom and the Howling Sphinx, Withering Tights, The Legacy of Eden, Hereafter, Bloodland, Rotters, Against the Night, Jekel Loves Hyde, The Star Shard, Guardian of the Gate, Catch Me, Circle of Fire, and Queen of Swords.
Currently Listening To: Summer Girl by Steroes
Currently Reading: Hereafter by Tara Hudson
Currently Watching: A Mix of things
When Katarina Bishop was three, her parents took her on a trip to the Louvre…to case it. For her seventh birthday, Katarina and her Uncle Eddie traveled to Austria…to steal the crown jewels. When Kat turned fifteen, she planned a con of her own—scamming her way into the best boarding school in the country, determined to leave the family business behind. Unfortunately, leaving “the life” for a normal life proves harder than she’d expected.
Soon, Kat's friend and former co-conspirator, Hale, appears out of nowhere to bring Kat back into the world she tried so hard to escape. But he has a good reason: a powerful mobster has been robbed of his priceless art collection and wants to retrieve it. Only a master thief could have pulled this job, and Kat's father isn't just on the suspect list, he is the list. Caught between Interpol and a far more deadly enemy, Kat’s dad needs her help.
For Kat, there is only one solution: track down the paintings and steal them back. So what if it's a spectacularly impossible job? She's got two weeks, a teenage crew, and hopefully just enough talent to pull off the biggest heist in her family's history--and, with any luck, steal her life back along the way.
There's hope for the future, but what about the past?
It’s the 24th century and humans, with the help of artificial intelligences (A.I.s) have finally created the perfect post-dystopian society. To make equally perfect citizens for this world, the elders have created History Camps, full sized recreations of cities from Earth’s distant pasts. Here teens live the way their ancestors did, doing the same dirty jobs and experiencing the same degradations. History Camps teach youths not to repeat the mistakes that almost caused the planet to die. But not everything goes to plan.
In this first of a trilogy, we meet three spoiled teens in the year 2347. Hansum almost 17, is good looking and athletic. Shamira, 15, is sassy, independent and an artistic genius. Lincoln, 14, is the smart-aleck. But you don’t have to scratch too far beneath the surface to find his insecurities.
These three “hard cases” refuse the valuable lessons History Camps teach. But when they are kidnapped and taken back in time to 1347 Verona, Italy, they only have two choices; adapt to the harsh medieval ways or die. The dangers are many, their enemies are powerful, and safety is a long way away. It’s hardly the ideal environment to fall in love – but that’s exactly what happens. In an attempt to survive, the trio risks introducing technology from the future. It could save them – or it could change history.
Wow. This is it. This is me growing up. On my own, going to Performing Arts College. This is good-bye, Tallulah, you long, gangly thing, and hellooooo, Lullah, star of stage.
Tallulah Casey is ready to find her inner artist. And some new mates. And maybe a boy or two or three.
The ticket to achieving these lofty goals? Enrolling in a summer performing arts program, of course. She's bound for the wilds of Yorkshire Dales--eerily similar to the windswept moors of "Wuthering Heights." Tallulah expects new friends, less parental interference, and lots of drama. Acting? Tights? Moors? Check, check, check.
What she doesn't expect is feeling like a tiny bat's barging around in her mouth when she has her first snog.
"To understand what it meant to be a Hathaway, you'd first have to see Aurelia."
For generations, Aurelia was the crowning glory of more than three thousand acres of Iowa farmland and golden cornfields. The estate was a monument to matriarch Lavinia Hathaway's dream to elevate the family name - no matter what relative or stranger she had to destroy in the process. It was a desperation that wrought the downfall of the Hathaways - and the once prosperous farm.
Now the last inhabitant of the decaying old home has died - alone. None of the surviving members of the Hathaway family want anything to do with the farm, the land, or the memories.
Especially Meredith Pincetti. Now living in New York City, for seventeen years Lavinia's youngest grandchild has tried to forget everything about her family and her past. But with the receipt of a pleading letter, Meredith is again thrust into conflict with the legacy that destroyed her family's once-great name. Back at Aurelia, Meredith must confront the rise and fall of the Hathaway family... and her own part in their mottled history.
"Our farm was like the world when people still thought it was flat. And when you left it, it was as if you had simply sailed too far and fallen off the surface into the void."
Can there truly be love after death?
Drifting in the dark waters of a mysterious river, the only thing Amelia knows for sure is that she's dead. With no recollection of her past life--or her actual death--she's trapped alone in a nightmarish existence. All of this changes when she tries to rescue a boy, Joshua, from drowning in her river. As a ghost, she can do nothing but "will" him to live. Yet in an unforgettable moment of connection, she helps him survive.
Amelia and Joshua grow ever closer as they begin to uncover the strange circumstances of her death and the secrets of the dark river that held her captive for so long. But even while they struggle to keep their bond hidden from the living world, a frightening spirit named Eli is doing everything in his power to destroy their newfound happiness and drag Amelia back into the ghost world . . . forever.
A private security contractor loses it in the Congo, with deadly consequences, while in Ireland the ex-prime minister struggles to write his memoir. A tabloid star is killed in a helicopter crash and three years later a young journalist is warned off the story. As a news story breaks in Paris, a US senator prepares his campaign to run for office. What links these things and who controls what we know?
With echoes of John Le Carre, 24 and James Ellroy, Alan Glynn has written another crime novel of and for our times - a ferocious thriller that moves from Dublin to New York via West Africa, and thrillingly explores the legacy of corruption in big business, the West's fear of China, the fate of ex-military, the role of back room political players, and the quick fix of online news.
Grave-robbing. What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of nineteenth-century Scotland practically made it an art. But none of this matters to Joey Crouch, a sixteen-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school.
Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known, a strange, solitary man with unimaginable secrets. At first, Joey's father wants nothing to do with him, but once father and son come to terms with each other, Joey's life takes a turn both macabre and exhilarating.
She's got the face of an angel and the body of…well, isn't that what he'd expect from an exotic dancer? But there's something about this girl that Johnnie Riggs can't shake. The former army ranger is hot on the trail of an elusive drug lord—and suddenly very hot under the collar, as well.
Amy's got her own agenda to pursue: her sister is missing and Amy seems to be the only one who cares. She'll enlist Johnnie's help and do her best to ignore her growing attraction to finally get some answers. But when the two trails begin to converge and reveal something even more sinister than they imagined, their mutual desire is the least of their problems. They'll bring the truth to light…or die trying.
Jill Jekel has always obeyed her parents rules; especially the one about never opening the mysterious, old box in her father's office. But when her dad is murdered, and her college savings disappear, she's tempted to peek inside, as the contents might be the key to a lucrative chemistry scholarship.
To improve her odds, Jill enlists the help of gorgeous, brooding Tristen Hyde, who has his own dark secrets locked away. As the team of Jekel and Hyde, they recreate experiments based on the classic novel, hoping not only to win a prize, but to save Tristen's sanity. Maybe his life. But Jill's accidental taste of a formula unleashes her darkest nature and compels her to risk everything, even Tristen's love just for the thrill of being . . . bad.
"In four days, someone is going to kill me . . . "
Detective D. D. Warren is hard to surprise. But a lone woman outside D.D.'s latest crime scene shocks her with a remarkable proposition: Charlene Rosalind Carter Grant believes she will be murdered in four days. And she wants Boston's top detective to handle the death investigation.
"It will be up close and personal. No evidence of forced entry, no sign of struggle."
Charlie tells a chilling story: Each year at 8:00 p.m. on January 21st, a woman has died. The victims have been childhood best friends from a small town in New Hampshire; the motive remains unknown. Now only one friend, Charlie, remains to count down her final hours.
But as D.D. quickly learns, Charlie Grant doesn't plan on going down without a fight. By her own admission, the girl can outshoot, outfight, and outrun anyone in Boston. Which begs the question, is Charlie the next victim, or the perfect perpetrator? As D.D. tracks a vigilante gunman who is killing pedophiles in Boston, she must also delve into the murders of Charlie's friends, racing to find answers before the next gruesome January 21 anniversary. Is Charlie truly in danger, or is she hiding a secret that may turn out to be the biggest threat of all?
"In four days, someone is going to kill me. But the son of a bitch has gotta catch me first. "
The ultimate battle between sisters is nearing, and its outcome could have catastrophic consequences. As sixteen year-old Lia Milthorpe searches for a way to end the prophecy, her twin sister Alice hones the skills she'll need to defeat Lia. Alice will stop at nothing to reclaim her sister's role in the prophecy, and that's not the only thing she wants: There's also Lia's boyfriend James.
Lia and Alice always knew the Prophecy would turn those closest to them against them. But they didn't know what betrayal could lead them to do. In the end, only one sister will be left standing.
With time dwindling but her will to end the Prophecy stronger than ever, Lia sets out on a journey to find the remaining keys, locate the missing pages of the Prophecy, and convince her sister Alice to help--or risk her life trying. Lia has her beloved Dimitri by her side, but Alice has James, the man who once loved her sister--and maybe still does. James doesn't know the truth about either sister, or the prophecy that divides them. And Alice intends to keep it that way.
There are some secrets sisters aren't meant to share. Because when they do, it destroys them. This stunning conclusion to Michelle Zink's Prophecy of the Sisters trilogy will make saying good-bye bittersweet for readers.
When the cards tell Ophelia Leoni she's supposed to marry the Prince of Hansarda, the gunrunner grits her teeth and boards the starship that comes for her. It doesn't matter if the ship's commander is the gorgeous stranger whose bed she just spent a wild, drunken night in. As a Diviner, she’s painfully aware the cards don't lie. Ever.
Boone O’Keirna knows Ophelia is trouble the second he sees the way she moves. Not about to let the deadly little hellcat marry his sadistic half-brother, Boone pretends to be the Prince’s emissary and kidnaps Ophelia. Too bad they can’t be in the same room without him wanting to throw her out an airlock–or into bed.
Even as they fight each other–and their explosive attraction–Ophelia and Boone sense something is wrong. Too much is going their way. Soon, they realize while the cards may never lie, the truth is sometimes hidden between them…and the future king of Hansarda is not one to take defeat lying down.